What is the most overrated jazz album of all time?

By YPB Team

Canon status invites backlash, and these records have collected plenty of both. Say which one the critics oversold.

  1. Kind of Blue — ranked #11
    Kind of Blue
    Miles Davis's 1959 modal landmark and the best-selling jazz album ever, which is exactly why it draws the backlash.
    1000pts
  2. Getz/Gilberto — ranked #22
    Getz/Gilberto
    The 1964 bossa nova summit that produced 'The Girl from Ipanema' and a thousand elevator playlists.
    710pts
  3. A Love Supreme — ranked #33
    A Love Supreme
    John Coltrane's 1964 four-part spiritual suite, canonised so thoroughly that dissent has become its own genre.
    560pts
  4. The Shape of Jazz to Come — ranked #44
    The Shape of Jazz to Come
    Ornette Coleman's 1959 free-jazz manifesto, a landmark to some and an emperor's-new-clothes joke to others.
    560pts
  5. Ascension — ranked #55
    Ascension
    Coltrane's 1965 forty-minute collective improvisation, praised as a breakthrough and heard by many as noise.
    560pts
  6. Time Out — ranked #66
    Time Out
    The Dave Brubeck Quartet's 1959 odd-meter experiment, beloved by newcomers and dismissed by purists as cocktail jazz.
    485pts
  7. Free Jazz — ranked #77
    Free Jazz
    Ornette Coleman's 1961 double-quartet recording that gave the movement its name and split listeners on contact.
    485pts
  8. Blue Train — ranked #88
    Blue Train
    Coltrane's only Blue Note album as a leader, a hard bop staple some call his most conventional record.
    397pts
  9. Sketches of Spain — ranked #99
    Sketches of Spain
    The 1960 Davis and Gil Evans orchestral collaboration, adored as tone poetry and dismissed as jazz-adjacent mood music.
    397pts
  10. Charlie Parker with Strings — ranked #1010
    Charlie Parker with Strings
    Parker's 1950 sessions backed by a string section, his own favourite and a lush disappointment to bebop devotees.
    397pts
  11. Head Hunters — ranked #1111
    Head Hunters
    Herbie Hancock's 1973 funk crossover, the best-selling jazz record of its decade and a sellout to its critics.
    291pts
  12. Bitches Brew — ranked #1212
    Bitches Brew
    Miles Davis's 1970 electric double album, hailed as the birth of fusion and derided as formless studio collage.
    291pts
  13. Mingus Ah Um — ranked #1313
    Mingus Ah Um
    Charles Mingus's 1959 album, routinely placed in all-time top tens ahead of the records Mingus fans actually argue for.
    291pts
  14. The Köln Concert — ranked #1414
    The Köln Concert
    Keith Jarrett's 1975 improvised solo piano recital, the best-selling piano album ever and a favourite target of snobs.
    162pts
  15. In a Silent Way — ranked #1515
    In a Silent Way
    Davis's 1969 ambient bridge into fusion, assembled from tape edits by producer Teo Macero.
    162pts

Comments

No comments yet. Be the first!

0/1000