Sweeping space-opera themes, pulse-pounding action cues, and quiet emotional beats carry this galaxy-spanning saga. Which one wins?
1Mass Effect 2The bombastic, character-driven score anchored by the iconic 'Suicide Mission' theme.1000pts
2Mass Effect 3The emotional, sweeping finale score featuring the acclaimed 'Leaving Earth' and 'An End, Once and For All'.584pts
3Mass Effect 2: OverlordThe tense, electronic DLC score built around a rogue AI crisis.524pts
4Mass Effect (2007)The original game's atmospheric, Vangelis-inspired synth score that defined the series' sound.372pts
5Mass Effect: AndromedaJohn Paesano's score for the spin-off, blending the series' synth roots with a fresh frontier feel.273pts
6Mass Effect 2: Lair of the Shadow BrokerChristopher Lennertz's December 2010 score for the Liara-focused DLC, a digital album of seven new tracks scoring the hunt for the Shadow Broker.0pts
7Mass Effect 3: CitadelThe lighthearted, celebratory DLC score that gave the trilogy a warm sendoff.0pts
8Mass Effect 2: AtmosphericJack Wall's September 2010 companion album of additional ambient music from Mass Effect 2, collecting the quieter exploration and hub cues left off the main score.
9Mass Effect 2: CombatJack Wall's October 2010 supplemental album of additional battle music from Mass Effect 2, gathering the driving action cues left off the main score.
10Mass Effect 2: Kasumi's Stolen MemorySascha Dikiciyan and Cris Velasco's November 2010 score for the heist-themed Kasumi DLC, a sleek, spy-flavored blend of electronics and percussion.
11Mass Effect 3: Extended CutSam Hulick and Clint Mansell's August 2012 album of new music written for the Extended Cut DLC, which expanded Mass Effect 3's controversial endings.
12Mass Effect: Paragon LostJoshua Mosley and David Kates's November 2012 score for the anime prequel film Paragon Lost, which follows James Vega's early career in the Alliance.
