What is the best ECM album from the 1970s?

By YPB Team

In the 1970s, ECM Records became the home of a new, introspective jazz sound that bridged European classical music with American improvisation. Which ECM album from the decade is most essential?

The Köln Concert — ranked #11
The Köln Concert
Keith Jarrett's 1975 solo piano concert is the best-selling solo piano album in history — an hour of spontaneous improvisation of extraordinary emotional range and musical invention.
Belonging — ranked #22
Belonging
Keith Jarrett's 1974 quartet ECM album is the definitive document of the European Quartet — lyrical, joyful, and featuring Jan Garbarek's most poetic saxophone playing.
Facing You — ranked #33
Facing You
Keith Jarrett's 1971 ECM solo debut established his intimate improvisational voice in 8 spontaneous compositions of remarkable structural beauty and lyrical grace.
Conference of the Birds — ranked #44
Conference of the Birds
Dave Holland's 1972 ECM collective improvisation is a joyful, democratic free jazz classic — one of the label's most beloved recordings and Holland's definitive statement as a leader.
The Colours of Chloé — ranked #55
The Colours of Chloé
Eberhard Weber's 1974 ECM debut introduced his dark, bowed bass textures in a unique Nordic chamber jazz setting — one of the label's most hauntingly atmospheric recordings.
Bright Size Life — ranked #66
Bright Size Life
Pat Metheny's 1976 ECM debut with Jaco Pastorius and Bob Moses is a landmark of open, lyrical jazz guitar — airy, melodic, and pointing the way to a new post-bop jazz fusion.
Witchi-Tai-To — ranked #77
Witchi-Tai-To
Jan Garbarek and Bobo Stenson Quartet's 1974 ECM recording is an atmospheric Nordic jazz classic — folk themes dissolved in meditative jazz improvisation with gorgeous saxophone.
Solstice — ranked #88
Solstice
Ralph Towner's 1974 ECM quartet album with Garbarek and Weber is a chamber jazz masterpiece — intricate 12-string guitar counterpoint and shifting meters in a unique acoustic setting.
Timeless — ranked #99
Timeless
John Abercrombie's 1975 ECM debut with Jack DeJohnette and Jan Hammer is a restrained jazz fusion landmark — melodic, atmospheric, and among the label's most accessible recordings.
Open, to Love — ranked #1010
Open, to Love
Paul Bley's 1972 ECM solo piano album is a quietly intense free improvisation record — introspective and spacious, establishing the meditative solo piano approach that Jarrett would perfect.
Dansere — ranked #1111
Dansere
Jan Garbarek's 1975 ECM album is the most accessible entry point to his Norwegian jazz sound — warm, folk-inflected, and featuring some of his most lyrically direct saxophone playing.
Dis — ranked #1212
Dis
Jan Garbarek's 1977 ECM album of bass flute and saxophone overdubs over Norwegian folk themes is one of the label's most ethereal and other-worldly recordings.
Dança das Cabeças — ranked #1313
Dança das Cabeças
Egberto Gismonti's 1977 ECM duo album with Naná Vasconcelos blends Brazilian guitar, folk music, and free improvisation in a gloriously idiosyncratic ECM classic.

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