What is the best Blue Note album from the 1960s?

Herbie Hancock's 1964 Blue Note album features 'Cantaloupe Island' and four compositions of extraordinary harmonic and rhythmic invention from one of jazz's greatest pianists.

Andrew Hill's 1964 Blue Note album is the most intellectually demanding and rewarding of the label's '60s output — abstract, mysterious, and featuring Dolphy in his penultimate Blue Note appearance.

Lee Morgan's 1964 Blue Note album produced the boogaloo title track that gave the label its biggest commercial hit — irresistibly funky hard bop that bridges jazz and R&B.

Hank Mobley's 1960 Blue Note album opened the decade with the most perfectly crafted hard bop record ever made — four tracks of flawless musicianship.

Jackie McLean's 1962 Blue Note album was a pivotal transition between hard bop and the avant-garde — McLean's raw alto saxophony pressing against conventional chord structures.

McCoy Tyner's 1967 Blue Note album is the first great statement of the pianist's post-Coltrane career — sweeping, percussive, and rhythmically adventurous.

Dexter Gordon's 1962 Blue Note comeback album is one of the era's most charismatic jazz recordings — relaxed yet burning, with a big, authoritative sound and unhurried swing.

Larry Young's 1965 Blue Note album brought the Hammond organ into the post-bop era — abandoning Jimmy Smith's blues-based style for a more harmonically sophisticated, Coltrane-influenced approach.

Horace Silver's 1965 Blue Note album is the most melodically distinctive hard bop record of the decade — the title track's Afro-Cuban groove immediately recognizable to any jazz listener.

Art Blakey & The Jazz Messengers' 1964 Blue Note album is the hardest-hitting, most ferocious of his many recordings — Wayne Shorter's compositions pushing the band to their absolute limit.