The 12 Best Directorial Debuts of the 1980s

By YPB Team

Scrappy, inventive debuts, many made on shoestrings, that launched major careers. Which is the best?

  1. Diner — ranked #11
    Diner
    Barry Levinson 1982 debut about a group of Baltimore friends reconvening around a late-night diner.
    1000pts
  2. The Evil Dead — ranked #22
    The Evil Dead
    Sam Raimi 1981 $350,000 debut about five friends summoning demonic forces in a remote Tennessee cabin.
    873pts
  3. Blue Velvet — ranked #33
    Blue Velvet
    David Lynch 1986 suburban noir debut uncovering a dark criminal underworld beneath small-town America.
    873pts
  4. Blood Simple — ranked #44
    Blood Simple
    Joel Coen 1984 neo-noir debut about a jealous bar owner who hires a private investigator to murder his wife.
    733pts
  5. Repo Man — ranked #55
    Repo Man
    Alex Cox 1984 debut about a young punk who becomes a repo man tracking an alien-containing Chevy Malibu.
    673pts
  6. D.C. Cab — ranked #66
    D.C. Cab
    Joel Schumacher 1983 debut comedy about a struggling Washington D.C. taxi service finding its mojo.
    524pts
  7. Raising Arizona — ranked #77
    Raising Arizona
    Joel Coen 1987 screwball crime comedy about a childless couple kidnapping a quintuplet from a furniture magnate.
    314pts
  8. Heathers — ranked #88
    Heathers
    Michael Lehmann 1988 debut about a popular girl falling for a rebel who begins murdering her high school clique.
    314pts
  9. Desperately Seeking Susan — ranked #99
    Desperately Seeking Susan
    Susan Seidelman 1985 debut about a bored housewife swapping lives with a free-spirited adventurer.
    314pts
  10. River Edge — ranked #1010
    River Edge
    Tim Hunter 1986 debut based on a true case about teens who cover up a classmate murder.
    1pts
  11. After Hours — ranked #1111
    After Hours
    Martin Scorsese 1985 dark comedy following a word processor through a nightmarish night in lower Manhattan.
    1pts
  12. To Live and Die in L.A. — ranked #1212
    To Live and Die in L.A.
    William Friedkin 1985 neo-noir thriller about a Secret Service agent pursuing a counterfeiter with reckless intensity.
    1pts

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