What is the best film shot by Gordon Willis?
The Prince of Darkness lit gangster epics, neurotic New York comedies and paranoid thrillers with the same fearless command of shadow. From sepia-soaked sagas to stark black-and-white, which frame wins? Cast your vote!
1The Godfather
Francis Ford Coppola's 1972 crime epic, famed for Willis's shadowy, amber-toned 'prince of darkness' lighting.
1000pts
2The Godfather Part II
Coppola's 1974 sequel, where Willis's sepia period scenes and chiaroscuro deepened the saga's visual language.
817pts
3The Parallax View
Pakula's 1974 paranoia thriller, noted for Willis's bold compositions and ominous use of negative space.
743pts
4Zelig
Allen's 1983 mockumentary, where Willis painstakingly recreated vintage newsreel and photographic styles.
733pts
5Interiors
Allen's austere 1978 drama, lit by Willis in cool, muted tones echoing Ingmar Bergman.
733pts
6The Godfather Part III
The 1990 conclusion to the trilogy, with Willis returning to complete the family's operatic saga.
681pts
7Pennies from Heaven
The 1981 musical drama whose lavish, painterly imagery earned Willis an Oscar nomination.
619pts
8Klute
Alan J. Pakula's 1971 neo-noir thriller, an early showcase of Willis's daring use of darkness and shadow.
619pts
9All the President's Men
The 1976 Watergate thriller, where Willis used deep focus and stark fluorescent light to evoke newsroom realism.
619pts
10Presumed Innocent
Pakula's 1990 legal thriller starring Harrison Ford, given a tense, shadowed look by Willis.
619pts
11Broadway Danny Rose
Allen's 1984 comedy shot in grainy black-and-white, a warm character study lensed by Willis.
619pts
12Manhattan
Allen's 1979 black-and-white love letter to New York, among Willis's most celebrated cinematography.
545pts
13Annie Hall
Woody Allen's 1977 romantic comedy, lit by Willis with naturalistic intimacy that won Best Picture.
454pts
14The Purple Rose of Cairo
Allen's 1985 fantasy about a film character stepping off the screen, glowingly photographed by Willis.
454pts
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