Matt Damon's only Academy Award is for writing.
The acting came later: an assassin who cannot remember his own name, a botanist growing potatoes in Martian dirt, a Boston detective on the mob's payroll, and, since 17 July 2026, Odysseus. Christopher Nolan's The Odyssey had taken $911.4 million worldwide by 3 August.1
Scale is not what puts him on so many lists. Thirty years as the dependable second name on other people's masterpieces did that, and it lands him on rankings about directors, about scripts, about friendships, about expensive mistakes.
He is 55 and has been famous for a little over half of that. Fourteen rankings are below.
Fourteen lists have a use for Matt Damon. Not all of them need him to act.
Good Will Hunting vs The Odyssey: the two ends of one filmography
The plain question first: Matt Damon's own films, played off against each other. The field has to hold a maths-prodigy drama, four spy thrillers, a Las Vegas heist, a Scorsese crime picture and a Homer adaptation.
Good Will Hunting sets one end. Miramax released it on 5 December 1997, and it took $138.4 million in the United States and Canada, $225.9 million worldwide.3 He and Ben Affleck wrote it themselves.
The Odyssey sets the other end — twenty-eight years later, the same actor playing a Greek king in a film built for the biggest screens in the country. Between the two ends is the work that made him bankable: three Bourne films in five years, three Ocean's pictures in six, and a decade of Steven Soderbergh ensembles in between.
Anyone who cares about performance rather than scale has a different shortlist. Damon is at his most precise in The Talented Mr. Ripley and The Departed, and neither of those is anywhere near the top of his box-office table.
Jason Bourne vs James Bond: the spy who lost the gadgets
Cinema's best secret agent is a ranking Matt Damon enters as a character rather than as himself. Jason Bourne has no quartermaster, no car full of rockets and no interest in being charming.
The Bourne Ultimatum reached American cinemas on 3 August 2007, nineteen years ago today, and it is still the biggest of his four films as the character: $442.8 million worldwide, $69.3 million of it in the opening weekend.4
What the Bourne films did to the genre is why the secret-agent list is contested. Handheld cameras, fights shot too close to follow, a hero who improvises with a rolled-up magazine. Bond went colder and rougher himself with Casino Royale in 2006.
Bourne's weakness here is arithmetic. Six actors have played Bond across more than twenty films; Ethan Hunt has eight. Damon walked away after Ultimatum, sat out The Bourne Legacy in 2012, and came back exactly once, in 2016.
Cambridge, Massachusetts: Damon's home advantage
Matt Damon grew up in Cambridge, across the river from the city this list is about, and the two films people quote at him are both set there: Good Will Hunting and The Departed. The competition is local too, which is the problem: Ben Affleck came out of the same Cambridge streets and Mark Wahlberg out of Dorchester.
Christopher Nolan: Matt Damon is in three of these films
Nolan's filmography is the rare director ranking where Damon appears more than once. He is Dr. Mann in Interstellar, General Leslie Groves in Oppenheimer, and Odysseus in the one Nolan wrote with him in mind.
The Odyssey cost $250 million and went out with an R rating, a rare pairing for a film opening in the middle of July.1 Tom Holland, Anne Hathaway, Zendaya, Robert Pattinson, Lupita Nyong'o and Charlize Theron fill out the rest of Ithaca.
Nolan's own field is brutal: Inception, Memento, The Dark Knight, Oppenheimer. He has been making films people rewatch to fight about for a quarter of a century, so the ranking is really about which trick has aged best.
Two of Damon's three Nolan appearances are supporting complications. Mann is a twist and Groves is the man who signs the forms; Odysseus is the first Nolan part written for him to carry.
The Departed vs Goodfellas: Scorsese's internal hierarchy
Scorsese's own catalogue is a harder room than most. Matt Damon is in it as Colin Sullivan, the state trooper the Boston mob raised for the job.
The Departed is the film that finally paid Scorsese: five nominations and four wins at the 79th Academy Awards, Best Picture and his only Directing award among them.7
Two films in the same catalogue were canonised earlier and without statues. The Library of Congress took Raging Bull into the National Film Registry in 1990 and Goodfellas in 2000.5
Damon's film has the tightest plot of the three and no wasted scenes. Taxi Driver is the better film, and The Departed is the one people put on again.
The Martian vs Blade Runner: Ridley Scott's two kinds of hit
Ridley Scott has directed enough to make his own ranking genuinely hard. Damon's entry is The Martian, where he plays a botanist left behind on Mars with a crop of potatoes and a sense of humour about it.
The commercial case is short. The Martian took $630.6 million worldwide in 2015 on a $108 million budget.8
Scott's older films are the stranger ones. Alien arrived in 1979 and Blade Runner in 1982, which the Library of Congress preserved in 1993.5
Tone is what separates them. The Martian is the only one of the three that ends with people cheering.
Ford v Ferrari: the 1966 Le Mans finish people still complain about
Twenty sports films are in this one, and Damon's involves almost no driving from him. He plays Carroll Shelby, the man who builds the car and manages the politics.
The race behind it ran on 19 June 1966. Three Ford GT40 Mk IIs came home first, second and third, the first of four straight Ford wins at Le Mans, and Ken Miles, who had led, finished second.9
Ford v Ferrari ends on that finish. Christian Bale plays Miles, and the team order that costs him the win is the last thing the film does.
Rocky, Hoosiers and Bull Durham are in the same field, and every one of them lets its hero win something.
Saving Private Ryan: Spielberg's Oscar, somebody else's Best Picture
The war-film ranking is where Matt Damon has his strongest film and his smallest part. He is Private James Francis Ryan, the soldier the whole search is for, and he arrives only in the last act.
Spielberg won the Directing award for Saving Private Ryan at the 71st Academy Awards on 21 March 1999. Best Picture that night went to Shakespeare in Love.6
The Library of Congress added the film to the National Film Registry in 2014.5
Its neighbours here are Apocalypse Now, Paths of Glory and Come and See, which is company most films cannot survive. Damon's contribution to the landing sequence everyone remembers is nothing at all. He is not in it.
Good Will Hunting: the Oscar Matt Damon won without acting
One ranking here has Matt Damon on it for something he typed. The greatest Oscar-winning original screenplays is a writers' list, and Good Will Hunting is his, shared with Ben Affleck. An actor on a screenwriters' list is the kind of entry that sends a reader to the credits.
The 70th Academy Awards gave the film nine nominations and two wins: Original Screenplay to Affleck and Damon, Supporting Actor to Robin Williams. Damon was nominated for Lead Actor in the same room and lost.2
He was 27, and it remains the only Academy Award he has won. Thirteen of the rankings here weigh what he did in front of a camera. This one weighs his typing.
The company is unkind. Pulp Fiction, Chinatown, Annie Hall and Citizen Kane took the same category, and all four are on a syllabus somewhere this term. What Good Will Hunting has that none of them do is two out-of-work actors who wrote it to give themselves parts, and then got them.
Will Hunting at MIT: the janitor who does the maths
The smartest-characters ranking sets Damon's creation against detectives and supervillains. Will Hunting mops the floors at MIT and solves the problem a professor leaves on a corridor blackboard.
MIT later invited the actor back. Damon gave the commencement address to the class of 2016 on 3 June, and told the graduates that the corridor scene came from his brother Kyle, who had been visiting a physicist there.11
Hannibal Lecter, Sherlock Holmes and Tony Stark all prove their intelligence on screen. Will's is mostly reported to us by other characters, which is the fair complaint against him.
Damon and Affleck: the duo that mostly works off camera
Thirteen pairs are on this list and one of them met in elementary school. Netflix's own notes on The Rip date the Damon and Affleck friendship that far back.12
The Rip put the two of them on screen as Miami cops on 16 January 2026, produced by Artists Equity, the studio they founded in 2022.12
Newman and Redford, Lemmon and Matthau, Laurel and Hardy: the other pairs here are famous for what they did inside the frame.
Damon and Affleck's best joint work is a screenplay and a company. They have shared a credit far more often than a scene, and that is the honest case against them in this company.
Ocean's Eleven: Linus Caldwell, the least impressive man in the room
Matt Damon plays Linus Caldwell in Steven Soderbergh's 2001 heist, the young pickpocket who spends the film being talked into things by George Clooney and Brad Pitt. The part is written to be the least experienced person in the crew, which is a strange qualification to bring to a ranking of the crew.
Overrated: the charge brought against Matt Damon
The overrated list is an accusation with thirteen names on it. Damon is one of them, which is what happens to an actor who works constantly and startles nobody.
The complaint has a shape. He plays decent, competent Americans; the voice barely shifts between a spy, an astronaut and a cop; he has been doing it since the Clinton administration.
Set against it: the single Academy Award on his shelf is for writing rather than for a performance,2 and the largest release of his career is the one in cinemas this month — at 55. A peak arriving that late is a strange shape for a coasting career.
The Great Wall: $150 million and a monster movie
The flops ranking audits a career instead of celebrating it. Damon's entry is The Great Wall, Zhang Yimou's 2016 picture, in which he plays a European mercenary who stumbles into an army defending China from lizards.
The figures explain why it counts as a disaster. A $150 million budget returned $334.9 million worldwide, but $171 million of that came from China and only $45.5 million from the United States and Canada.10
Trouble arrived before release. The first trailer, in 2016, drew accusations of whitewashing for putting Damon at the middle of a Chinese story, and the film never got out from under it.
The fair defence is that Damon was hired into an experiment rather than a vanity project. Zhang was making the most expensive production of his career, in English, with an American lead, for two audiences at once. Half of that plan worked, and the half that failed was the half paying most of the bills.
One Oscar, fourteen lists, nothing settled
Matt Damon is on these lists as a writer, a friend, a punchline and a lead — and the only thing nobody has tried to take off him is the 1998 screenplay award. Everything else about him is still open, including whether he can act.
Each ranking above is sorted by putting two options side by side, which is how a supporting general and a Greek king become comparable at all.
Somebody among your own favourites has a career this scattered. Building the ranking that proves it takes about a minute.
More rankings, more angles
- Dwayne “The Rock” Johnson — the other everyman who out-earns his reviews
- 16 Rankings, One Batman — six actors, one cowl, no consensus
- Tom Cruise: Fighter Pilot, Sports Agent, Vampire, Hitman — the other leading man who does his own stunts
- Christopher Nolan: $6,000 Debut, $250M Odyssey, 16 Lists — the director who shot a feature for the price of a car
Sources
- Box Office Mojo — The Odyssey (2026): worldwide gross, 17 July 2026 US release, $250m budget and R rating: boxofficemojo.com (checked 2026-08-03)
- Academy of Motion Picture Arts and Sciences, 70th Academy Awards (Internet Archive capture of oscars.org) — Good Will Hunting's nine nominations and two wins, the Original Screenplay award to Ben Affleck and Matt Damon, and Damon's Lead Actor nomination: oscars.org (checked 2026-08-03)
- Box Office Mojo — Good Will Hunting: 5 December 1997 Miramax release, domestic and worldwide gross: boxofficemojo.com (checked 2026-08-03)
- Box Office Mojo — The Bourne Ultimatum: 3 August 2007 US release, opening weekend and worldwide gross: boxofficemojo.com (checked 2026-08-03)
- Library of Congress — complete National Film Registry listing: Raging Bull (added 1990), Blade Runner (1993), Goodfellas (2000), Saving Private Ryan (2014): loc.gov (checked 2026-08-03)
- Academy of Motion Picture Arts and Sciences, 71st Academy Awards, 21 March 1999 (Internet Archive capture of oscars.org) — Steven Spielberg's Directing award for Saving Private Ryan and the Best Picture award to Shakespeare in Love: oscars.org (checked 2026-08-03)
- Academy of Motion Picture Arts and Sciences, 79th Academy Awards (Internet Archive capture of oscars.org) — The Departed's five nominations and four wins, including Best Picture and Martin Scorsese's Directing award: oscars.org (checked 2026-08-03)
- Box Office Mojo — The Martian: worldwide gross and production budget: boxofficemojo.com (checked 2026-08-03)
- 24 Hours of Le Mans (Automobile Club de l'Ouest) — the 19 June 1966 race: the Ford GT40 Mk II 1-2-3, Ken Miles second, and the start of four straight Ford wins: 24h-lemans.com (checked 2026-08-03)
- Box Office Mojo — The Great Wall: $150m budget, worldwide gross, China gross and US/Canada gross: boxofficemojo.com (checked 2026-08-03)
- MIT News — Matt Damon's commencement address to the MIT class of 2016 on 3 June, including the origin of the Infinite Corridor scene: news.mit.edu (checked 2026-08-03)
- Netflix Tudum — The Rip: 16 January 2026 release, Damon and Affleck as Miami cops, their friendship since elementary school, and Artists Equity founded in 2022: netflix.com (checked 2026-08-03)