The 14 Greatest Setsuko Hara Performances
Serene Ozu daughters, restless Naruse wives and one fierce postwar firebrand add up to a career of quiet devastation. Cast your vote!
1Late Spring (1949)The first Noriko, a daughter reluctant to marry and leave her widowed father.1000pts
2Tokyo Story (1953)Her luminous turn as the widowed daughter-in-law Noriko in Ozu's most revered film.1000pts
3Chushingura (1962)Her final screen appearance, in Inagaki's epic retelling of the 47 ronin.771pts
4The New Earth (1937)Her breakout role as a teenager in the Japanese-German co-production that made her a star.771pts
5Daughters, Wives and a Mother (1960)An ensemble Naruse drama in which she plays a widow squeezed by family obligation.709pts
6Early Summer (1951)A quietly rebellious Noriko who chooses her own husband against her family's plans.692pts
7The End of Summer (1961)Her penultimate Ozu collaboration, as a widow in a fading sake-brewing family.600pts
8Sudden Rain (1956)Naruse's wry study of a strained marriage, carried by Hara's understated comedy.491pts
9No Regrets for Our Youth (1946)Her fierce, transformative role as Yukie in Kurosawa's postwar political drama.360pts
10Sound of the Mountain (1954)A restrained, aching performance as a young wife in Naruse's Kawabata adaptation.360pts
11The Idiot (1951)A striking turn as the tormented Taeko Nasu in Kurosawa's Dostoevsky adaptation.360pts
12The Blue Mountains (1949)The hugely popular postwar hit that made her a symbol of a new, liberated Japan.200pts
13Late Autumn (1960)Ozu's reversal of Late Spring, with Hara now playing the mother marrying off a daughter.200pts
14Tokyo Twilight (1957)A darker Ozu role as an unhappily married daughter returning to her father's home.200pts
#movies639#japan99#performances150#setsuko hara1
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